The progression is also used entirely with minor chords in the middle section of Chopin's etude op. John Maus uses a i-v-VII-iv in c minor for the verse of “Cop Killer”. It opens the verse to ' Brown Eyes' by Lady Gaga, is used in the chorus to ' Rio' (1982) by Duran Duran and ' Sugar Hiccup' (1983) by the Cocteau Twins, and is in the 2nd part of the bridge in ' Sweet Jane' (1988) by the Cowboy Junkies. ' Cinnamon Girl' (1969) by Neil Young uses I–v– ♭VII–IV (all in Mixolydian). This progression is used in other songs including ' Turning Japanese' (1980) by the Vapors, ' Sample in a Jar' (1994) by Phish (I–iii– ♭VII–IV), ' Waterfalls' (1995) by TLC, and 'Don't Tell Me' (2000) by Madonna.

The progression also makes possible a chromatic descent across a minor third: 8 ^ descent. The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV). There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ('Lay Lady Lay'). It consists of two IV chord progressions, the second a whole step lower (A–E–G–D = I–V in A and I–V in G), giving it harmonic drive. I–V– ♭VII–IV may be viewed as a variation of I–V–vi–IV, replacing the submediant with the subtonic.

I–V– ♭VII–IV I–V– ♭VII–IV in A Play ( help The British progressive rock band Porcupine Tree made a song called ' Four Chords That Made A Million' that appears to be a satire of the broad use of this progression in contemporary commercial music. As of May 2020, the two most popular versions have been viewed over 100 million times combined. The song was subsequently published on YouTube. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C# minor, and A major). It does not accurately represent the chord progressions of all the songs it depicts. Ī 2009 song by the comedy group the Axis of Awesome, called ' Four Chords', demonstrated the ubiquity of the progression in popular music, for comic effect for instance, as the progression is played as a ostinato, sometimes it is used as a vi–IV–I–V (i. Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video. The chord progression is also used in the form IV–I–V–vi, as in songs such as ' Umbrella' by Rihanna and ' Down' by Jay Sean. In this ordering, the progression ends with a double plagal cadence in the key of the dominant (in the Mixolydian mode) and could also be respelled ii–bVII–IV–I, opening with a backdoor turnaround. Overall a good purchase for the value, but again, keeping in mind it's meant to be practical and tough, if the idea is to have a normal one that will mostly stay at home in good conditions, I would perhaps go for something more traditional.Audio playback is not supported in your browser. Tuners keep tune quite well even for all the movement that mine experienced (switched the default strings for other ones shortly after purchasing it). It feels a bit smaller than a normal ukulele, perhaps due to the rounded shape of the body. However, I chose this particular one due to the fact that it was meant for travelling, and indeed after a trip that lasted for 2-3 weeks (in a mountain bag, not even a suitcase) I can say that I am satisfied with it. Also, plastic might make you feel the sound a bit different, perhaps more dull, but good after all. Ukulele's are not really my main thing at all so I do not have much to compare indeed the fact that is mostly made of plastic (the parts that will be in contact with your body, due to the plastic fretboard/bottom) makes it feel sort of more artificial than we usually feel when playing a normal ukulele or a guitar.

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